Project: EthnoMusicScape

a Case of Applied Ethnomusicology

 

Martina Claus-Bachmann

offers a global, national and/or regional overview concerning sonic borderline markers of cultural systems or cultural formations.

These systems or formations appear in a geographic context due to the materialisation process, but can also become detached from any regional reference like in the case of the jewish culture, where the "Torah" and the related rituals and forms of expressions became a "portable mother country" (H. Heine/A. Assmann), flexible enough to outlive worst physical and mental threats of the supporters as well as of the system itself.

 

Basic idea is the imagination of cultural systems as the result of the consensory discourse of a group of persons, who, at the moment of accepting the idea or fantasy, refer to it in an autopoietic (autopoietic and autopoiesis are basic terms of constructivistic philosophy; they refer the process of reciprocal maintenance of systems, either biological, psychic or cultural ones or even combinations) way. That is, they accept the idea because it guarantees them an individual as well as a collective identity for a period of time. In order to maintain this identity, they must create and undertake strategies, activities, events of repetition. This leads to the origin of cults, rituals, and other formations in both religious and secular contexts. The endless repetition of events supports an imagination of non-linear reversible time, which may be represented in the form of a spiral. That means that the participating individual has the feeling that time stands still in the endless horizon of continuously repeated and repeating events. This conveys a sense of identity and evident existence, a kind of being, invulnerable and indestructible, embedded in an objectified reality. The only thing which reminds the individual observer of the uni-linear axis of time is the biological existence: the body which is, despite all efforts, continually and clearly deteriorating. To avoid the bottomless fear of the complete dissolution and disappearance, the fiction of being embedded in an everlasting construct of reversible events in non-linear time must be preserved as well and as long as possible at a secular as well as a religious level. This is the basis of the creation of cultural systems. Jan Assmann, who has analysed and described the process of stabilizing cultural systems through strategies of memory and repetition, confirms the powerful role which religious cults play in the stabilization of every fiction of collective identity, especially ethnicity. He sees religion as the most effective medium to guarantee the permanence of ethnic identity. One reason for the importance of religion in the collective maintenance process is clearly, that religious practices often combine all possibilities of human sensory expression. Spiritual ideas and philosophical thoughts are combined in cults, which engage all senses: sight, smell, hearing, and taste, and they can also engage the sense of the body in dances or in ritual hand gestures, such as mudras. Through sensory embodiment of religion, the immaterial background of ideas and philosophy becomes objectified. And as the micro-structure of a body-mind network is combined with a macro-structure of continual and authentic repetition of the same rituals throughout centuries and eons, the objectification of a consensory reality becomes so evident and convincing that the individual loses awareness of that the reality is a fiction which was created long ago through a consensory discourse, and a veil of self-evidence is drawn over the way the collective sees itself.

References:

Thanks to Paul Greene for "native speaker assistance"!

Appadurai, Arjun: Modernity at Large. Cultural Dimensions of Globalization. University of Minnesota Press, Minneapolis/London 2000

Assmann, Aleida: "Zum Problem der Identität aus kulturwissenschaftlicher Sicht". In: Lindner, Rolf (Hg.): Die Wiederkehr des Regionalen. Über neue Formen kultureller Identität. Frankfurt/Main 1994

Assmann, Jan: Das kulturelle Gedächtnis. Verlag C. H. Beck, München 1992

Claus-Bachmann, Martina: "Cultural Identity and Educational Possibilities in Humanistic Studies". In: the world of music 42 , 2000(1):13-24; http://www.ulme-mini-verlag.de/english.html

Claus-Bachmann, Martina: Musik kulturell vermitteln - Musikpädagogik und kulturelle Kompetenz + CD-ROM (Audio-, Video-Beispiele, didaktische Materialien); ulme-mini-verlag, Giessen

Cramer, Friedrich: Der Zeitbaum. Grundlegung einer allgemeinen Zeittheorie. Insel Verlag, Frankfurt/Leipzig 1996

Gumin, Heinz/Meier, Heinrich: Einführung in den Konstruktivismus. Veröffentlichungen der Carl Friedrich von Siemens Stiftung Band 5, Piper Verlag, München 1998

Smith, A. D.: The Ethnic Origins of Nations. Oxford 1986

 

This project was created for academic purposes with the intention to experiment with new media and methods of e-learning with interactive multimedial websites, especially in the context of intercultural music education. We try to the best of our knowledge to respect copyrights and the international law for e-learning and multimedia. If there exists any problem concerning the links, we ask, to send us an email and we will react immediately. Thank you very much!

 

Researchers, scholars, artists and lecturers all over the world are invited to participate in the project. The requirements to be accepted as a participant are basic ethnological knowledge, own fieldwork and the guarantee, that the copyright of the published media is with the author. Everybody is invited to offer webpages, either created or found in the world wide web. We will prove them and set links from the main pages.

The authors of the project assume no responsibility for the link pages. If there is any abuse, please send us a mail, that we can remove the link:

asne@kuveni.de